Luego de presenciar un accidente
fatal, un joven de la nobleza huye de
su país acusado de un crimen, en su
intento de recuperar su posición,
comprende que ese accidente fue
sólo el comienzo de una serie de
eventos que afectarán a todos los
habitantes de Arofa, el continente
flotante.
Historia de aventuras,
misterio, intriga y seres fantásticos.
Que lo disfruten
Tengo la fortuna de dibujar y colorear una novela grafica ideada por uno de mis actores de series favorito, Chris Meloni, para quienes no lo ubican, es el que sale del detective Stabler en La Ley y el Orden, Unidad de Victimas Especiales. Muy buena serie, la verdad, jejeje, y bueno, ya podrán imaginar mi emoción al ser elegido para transmitir su idea, ( en donde el sale, cabe mencionar)
Este comic se publicitó en La comicon de nueva York, y espero sea de su agrado, aquí les muestro algunas imágenes de lo que llevo hasta el momento, espero sean de su agrado.
Ok, se que algunos de los que leen esto no saben de esto así que explicare un poco esto de las licencias, para los que saben , por favor, un poco de paciencia.
Esto significa que tu producto sea mercadeable, que puedas vender camisetas, mochilas, loncheras, cobijas, muñecos, videojuegos, figuras de acción, etc, porque esas compañías, las que generan todos esos productos, te compran la licencia (a muy alto precio) para poder generar esos productos, además te tienen que dar un porcentaje de las ganancias. Así que como verán, generar licencias, es muy lucrativo.
En el mundo del comic, hay dos clases de licencias, desde donde yo lo veo:
Los super héroes, y los cartoons.
Entiéndase Superheroes a las licencias de Marvel, DC etc… donde los personajes son seres humanos, (no caricaturas como el pato Donald, cualquier personaje de Pixar, o el mismo Shrek y su universo) Si, ya se que ni superman ni Martian manhunter son seres humanos, pero por favor, síganme la corriente.
En el caso de los superhéroes, las editoriales le dan cierta libertad al artista, que consiste en poder plasmar su propia voz en el personaje, pero obvio hay que respetar el traje, el peinado y ciertas características. Sin embargo, cuando uno lee un comic, puede identificar al instante quien lo hizo, y eso es muy bueno, pues te genera fans y una carrera sólida.
En el caso de licencias donde debes dibujarlos exactamente igual que todos, tu identidad se pierde, y solamente los especialistas (dígase otros artistas) pueden notar la diferencia en el dinamismo, expresiones y demás detalles que te hacen único, pero para el ojo común, el personaje puede estar dibujado por 20 personas distintas, y da lo mismo. En este caso, es, en mi opinión, poco probable que generes un fan base o una carrera exitosa, por lo menos en el mundo de los comics, ya que seguramente, si te interesa la animación, estarás mas que capacitado para poder triunfar ahí, por lo menos en el departamento de clean up (CLEANUP: es la etapa donde varios asistentes, limpian los dibujos del animador, en general deben dibujar mejor que él, para poder interpretar sus líneas y respetar al personajes que dibujan)
Las licencias, en todo caso, ( ya sean súper héroes o cartoons) Pagan mucho mejor que cualquier otro personaje, que en general, aquí estamos entrando a la zona de comics independientes.
Las editoriales que manejan comics independientes en general pagan muy poco, porque no tienen ninguna especie de ganancia con sus personajes, salvo las mismas publicaciones, o en su defecto, comparten sus libros con televisoras o productoras de cine, para ver si les interesa comprar la propiedad creativa y si así sucede, entonces, ellos obtienen ganancias.
La manera de trabajar de estas editoriales es obteniendo material original, así que es buena idea llegar con ellos si es que tienes un proyecto personal. Aunque debes estar consciente que los derechos y ganancias se irán un 50/ 50 y no te pagaran nada al principio.
Así que mi conclusión es, si eres super fan de algún personaje, y tu único sueño es dibujarlos algún día, pues enfócate en trabajar para alguna licencia,
Pero si tu sueño es crear personajes, universos e historias, el mundo de las licencias no es tu camino, a menos que desees hacerte un nombre antes de crear tus historias, pero ese es un camino muuuuyyy largo y frustrante.
En fin, eso es todo por hoy, después de una larga ausencia.
Saludos a todos, gracias por leer.
Ramon
Servicios de storyboard e ilustracion aqui.
Hola, esta es otra entrevista para jazma online, denle una checada. Para ver la entrevista original den clic aqui
Saludos!
RAMON ESPINOZA
Artist of Praetorian
Published by: Outlaw Entertainment
Interviewed by: Richard Vasseur
Richard: Where were you born and raised and what was it like growing up?
Ramon: I was born in Mexico City, but I was raised in a suburb that lies 20 minutes from the main city. My childhood was not easy for me or those around me; I was a very restless and different child. Drawing and painting where the only things that could control my behavior.
Richard: How did you first start drawing?
Ramon: As I mentioned, I was what is called a hyperactive child, nobody could watch after me, I was like Bart Simpson, a nightmare. My mother tried different activities, from Karate, Football and gymnastics, but nothing seemed to work. However, one day she gave me a notebook, colors, and found her holy remedy, this is when she discovered that drawing would keep me occupied, silent and calm for the entire day. When I was five she enrolled me in drawing and painting classes and since then I haven�t stopped for a single day. I started making my own comics when I was 12, and haven�t stopped since.
Richard: Did you have to do any research for the scenes at the crucifixion?
Ramon: Of course. It is a period in time that I find personally fascinating, I have a Project about Jesus that is several years old, so I had already done my research. The most difficult thing was deciding what kind of cross to use on the comic, the iconic one or the real one, the real one is not the cross that we all know, it�s more of a �T�, and people were crucified relatively close to the ground and with their feet nailed to the sides of the plank, however, the traditional cross is more ingrained in the subconscious, which is why I decided to draw that one. As for the Romans and the city of Jerusalem, I obtained some documentaries, diagrams and books where they are explained. In the case of the soldiers, what each element means and the uniform that each rank wore.
Richard: How would you describe your art style?
Ramon: I don�t know, stylized? With a touch of animation, caricature, and a little of traditional drawing. Perhaps a bit obsessive with the backgrounds. I would like to think that whenever people remember one of my Works, they will have the sensation of having seen a movie
Richard: How did you join Outlaw Entertainment?
Ramon: I had the fortune of knowing Jason Burns because of a work we had previously realized together, it was The Sleepy Truth, with art by my great friend Erik Valdez, and in which he invited me to do the coloring. After that I did the art for the first part of a graphic novel of Jason�s which was stopped because of external reasons. One day, out of the blue, he invited me to do Praetorians for Outlaw, and after reading the script there was no way I could say no.
Richard: Do you ever imagine yourself as the characters you draw?
Ramon: Always. Everybody knows that making comics is like being the Director and Actor in your own movie. And as an actor you have to study your character, and when I say study I mean things that are beyond the script, such as: Does the character collect things? If so, what does he collect? What is his favourite color? Does he have strong family ties or are they nonexistent? All of this contributes to making better work, since you can decide what to put in his house, the type of clothes or mobile phone he has, or what color his car should be..
Richard: Would you like to do more comics along the lines of "Praetorian"?
Ramon: Praetorians was an excellent script, and a very good story. If there is a sequel to Praetorians, I would love to work on it, and I would like to work on more stories in general, as long as the script is good, I don�t care what genre it is.
Richard: What will we find at your website
Ramon: www.ramonespinoza.com ? Publicity Works I have done here in Mexico as well as a client list and a very friendly ftp from which I send whatever Works I am asked for. The really interesting thing would be my blog, I post every two weeks, more or less, and well, I talk of my personal interests, comic book and drawing processes as well as news of future projects. Right now it is only in Spanish, though I think I will have to start translating it, hehe, the blog link is: http://espinozacomics.blogspot.com/
Richard: Do you still do coloring?
Ramon: I�ve thought about that a lot, you know? I�ve discussed with Erik and my wife Carol, that most people like my coloring better than my drawing, and I sincerely enjoy drawing more than I do coloring. The other day I reached a conclusion on this subject.
I don�t consider myself a colorist, I consider myself a Comic Artist, in the full meaning of the word. I write, draw and color comics. I love the entire process. Will I color in the future? Yes, I have the second volume of The Sleepy Truth which my friend Erik Valdez has finished drawing, but I also have many other projects as well.
Richard: Did you enjoy drawing "How To Be A Serial Killer"?
Ramon: You know? It was very exciting and scary , since the deadline was too tight, I had to finish 4 pages a day, and I�m talking about pencils and inks, and it wasn�t easy at all. However, I was very satisfied with the final product, and Jessie Garza is a great editor, so yes, I enjoyed it very much.
Richard: Do you prefer working on graphic novels or would you prefer a regular series?
Ramon: For now, to be honest, I think Graphic Novels. Eventually I�d love to work on a regular series.
Richard: Would you like to work for either of the Big Two comic publishers?
Ramon: Who wouldn�t? That is anybody�s dream, to draw some of your favourite characters, at least once. For most people, that was the reason for wanting to do comics. My reason is to eventually be able to tell my own stories.
Richard: How can someone contact you?
Ramon: Through my webpage in �contacts�
Richard: Any final words of wisdom?
Ramon: Wisdom? Mmmm, I really think that Brooke McEldowney, the cartoonist, said exactly how I feel on any project I am. I quote:
�I suppose no matter what I'm drawing, there will always be some sort of question in my mind about it. A work of art (even cartoon art)is never really finished; it is abandoned.�
When you are on a deadline, that�s exactly the truth, you are never totally happy with it, but you have to let it go. And after you left a project. You feel sort of empty and sad, like what now? Because you put all your heart and time in it. But then you see your baby in print, You touch it, read it and you feel happy, and realize that you can do other projects. And is like that every single time. At least for me. I don�t know if that could be consider words of wisdom, but well, there you have it.
Artwork: 4.5 out of 5
I loved the style used in this book. It was kinda cartoonish but in a more stylized way. I felt it fit nicely with the overall feel and flow of the story. The coloring was spot on with perfect tones and shades. It’s so close to perfection. Hands down an amazing effort.
Story: 4.2 out of 5
If I fault it on anything it would be the religious aspect, but it plays just a small roll in the whole of the story that I wasn’t bothered. A nice job on the overall concept that plays out so well. I really felt there were no holes in the story. It was all so well thought out and presented. The communication between characters is believable and it really grabbed my attention from the start.
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